Our Children’s Foundation

Our Children’s Foundation is a non-profit organization which serves as an after school educational and recreational facility for the children of Harlem. This project consists of the complete renovation and an addition to a pair of industrial buildings, one on the street and one in the back of the site with a minor connection at ground level.

With minimal new construction, we enclosed the void between the front and back creating an atrium and 2 stairs – the stairs functioning as both fire stairs and general vertical circulation. The design is organized around the new atrium that has south facing clerestory windows and is shaped to draw light deep into the building interiors. The atrium extends from the second to the third floor with a link to the ground floor through 3 glass portals in the atrium floor. An open bridge in the atrium connects administrative spaces with activity spaces and provides a place to view to events on the lower level.

 

The program called for a number of general use classrooms and larger multi-purpose areas. These instructional areas were designed with numerous visual links to maintain an informal level of supervision. The everyday operation consists of after-school homework then classes in a variety of subjects including computers, music and dance, with occasional assemblies and performances that bring in the community at large. The project is designed for the future addition of a gymnasium on the roof – all building systems and egress routes were calculated with this addition in mind. The construction was funded by The State Office of Alcohol and Substance Abuse, one of the few preventative funding strategies of this agency.

 

Sustainability

This project allowed OCF to expand their operations to serve 300 local families. Their formula for success and sustained growth is directly linked to their policy to involve the entire family, not just the children. Programming and the involvement of parents has been a part of OCF from the start. The project was designed to take advantage of the existing site orientation and utilize daylight for interior lighting to the greatest extent possible. Recycled materials were used for flooring, and as a renovation, the project reuses existing building infrastructure. Originally built as a dairy, the structural capacities were already capable of expanded loading beyond the planned afterschool programs. Integrating aspects of the planned future addition into the current design, such as egress widths, allows for that future work to require minimal changes to the existing building.

Location

New York, NY

Client

West Harlem Development Corporation

Year

1998

Size

34,000 sqft

MFA Design Team

Scott Marble, Karen Fairbanks, Leigh Kyle, Renata Gomes, Jake Nishimura

Structural Engineer

Office of Structural Design

General Contractor

Vertex Restoration

MEP Engineer

SPA Associates

Photography

Eduard Hueber / Arch Photo, Inc.; Marble Fairbanks

Chicago Public School

As with many urban areas, public schools in Chicago currently operate significantly above the desired capacity for the most effective learning, resulting in overcrowded classrooms and large schools where many students have little individual attention.

Due to extensive research indicating better performance in smaller classroom environments, large cities began experimenting with strategies to scale down the organization of schools to achieve optimum sizes for student achievement.

 

Because it is politically and financially impractical to build new public schools as small as desired, a new typology of schools within schools has emerged.  This project is a new prototype based on an organization that takes an 800-student elementary school and provides 4 smaller schools within one building.  The schools share certain resources and facilities but have adequate autonomy to generate individual identities and cultures within their own precincts.

Location

Chicago, IL

Client

Chicago Public School International Design Competition

Project Type

Competition

Year

2001

Size

110,000 sqft

MFA Design Team

Scott Marble, Karen Fairbanks, Todd Rouhe, Jake Nishimura, Benjamin Hummitzsch, Maud Cassaignau, Lars Fischer, Danny Sze, Phil Speranza, Julia Mandell, Kevin Finn, Mike Russo

Consulting Engineers

Arup

Sustainable Design Consultants

Kiss & Cathcart Architecture

Project Sponsors

Chicago Public Schools, Mayor’s Office for People with Disabilities, Business and Professional People for the Public Interest, Leadership for Quality Education, Small Schools Coalition, National Endowment for the Arts

Recognition

Winning Entry, International Design Competition

Progressive Architecture Design Award

Design Award, AIA New York

Photography

Marble Fairbanks

Chelsea Loft

This is one of a series of residential projects which result from the study of urban domestic space. The loft as a spatial type for living can be seen as a freeing of the traditional programmatic organization of domesticity from a series of specified rooms based on a typical family structure to flexible open space.

These investigate organizations of conditional programmatic structure by incorporating a variety of transformative elements to negotiate degrees of privacy and programmatic specificity within open loft spaces.  In this loft we explored variations on themes familiar from the previous designs (this is the third project designed for the family) – the flexibility of the home to adjust to evolving lifestyles, the articulation of multiple domestic activities, and the unconventional use of conventional materials.  The loft is organized by a series of four sliding wood and glass panels and three pivoting doors dividing formal and informal spaces.

Location

New York, NY

Client

Private Client

Year

1994

Size

5,000 sqft

MFA Design Team

Scott Marble, Karen Fairbanks, Pete Cornell, Jay Berman

Structural Engineer

Office of Structural Design

General Contractor

Noah & David

Sliding Panel Fabricator

Sub-Studio (William Massie)

Recognition

Design Award, AIA New York

Photography

Paul Warchol; Eduard Hueber / Arch Photo, Inc.

Choreographer’s Loft

Using transparent, translucent and opaque materials, several types of interchangeable programmatic relationships and connections are possible within a tight space, allowing the choreographer to choreograph his domestic space for various events.

This loft is located on the ninth floor of an industrial building on lower Fifth Avenue, north facing with minimal natural light. The space is organized through a series of dynamic planes running longitudinally from the entry to the window wall. These planes range from glass rods and various types of plate glass to sliding fin-ply and glass panels that mediate the relationship of the program and space on either side.  For instance, the guest room is adjacent to the kitchen and can become a dining area by opening the sliding panels or can become privately linked to the bathroom by closing the panels. The materials of these primary organizing planes are used in other locations to establish associations between traditionally separated domestic programs, and these associations are further developed through the slate, cork and cherry flooring materials that extend under the planes connecting adjacent spaces.

Location

New York, NY

Client

Private Client

Year

1994

Size

1,700 sqft

MFA Design Team

Scott Marble, Karen Fairbanks, Jay Berma, Stacey Jacovini, Nicolas Kelemen, Kim Yao

Recognition

Design Citation Award, AIA New York

Metropolitan Home Design 100

Cardiff Bay Opera House

The opera house was located at the juncture of a major boulevard, a peripheral distribution road and the harbor, and was to serve as the core of a future urban development of the surrounding area.

Our design is organized by a mediating wall surface that spirals out from the stage proscenium to become the building envelope.  Urban scale windows on the exterior reiterate the wall surface as an interface between audience/performance.  Entry ramps extend the urban space of the adjacent piazza into the concourse, allowing events in these areas to occur independent of the Opera House proper.  Influenced by the importance that water has played in the identity of Cardiff, glass rain slots are placed on axis with the historic city docks allowing rain to fall through the building.

Location

Cardiff, Wales

Client

Cardiff Bay Opera House Competition

Project Type

Competition

Year

1994

MFA Design Team

Scott Marble, Karen Fairbanks, Jay Berman, Stacey Jacovini, Nicolas Kelemen, Kim Yao